Frame
Top Mat
Bottom Mat
Dimensions
Image:
7.50" x 10.00"
Overall:
7.50" x 10.00"
Asterix by Goscinny and Uderzo Painting Canvas Print
by Paul Meijering
$85.00
Product Details
Asterix by Goscinny and Uderzo Painting canvas print by Paul Meijering. Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap). Your canvas print will be delivered to you "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.
Design Details
Realistic acrylic painting of Asterix with Obelix and Idefix together with cartoonist Albert Uderzo and writer René Goscinny, painted by the Dutch... more
Ships Within
3 - 4 business days
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Artist's Description
Realistic acrylic painting of Asterix with Obelix and Idefix together with cartoonist Albert Uderzo and writer René Goscinny, painted by the Dutch fine artist Paul Meijering - the original painting measures 120 x 90 cm
Asterix is a character from the comic book series of the same name by French writer René Goscinny and cartoonist Albert Uderzo. He has the lead role in this series.
Asterix is the main protagonist of the series. He is a petite figure with blond hair and a blond moustache. Despite his short height, he is very smart and brave. He lives in a fictional Gaulish village in Armorica (Brittany) that was the only village in all of Gaul to resist the Romans.
Asterix is a bachelor and the best friend of the menhir hacker Obelix. Asterix was born on the same day as Obelix. He is known in his village as one of the smartest, bravest and most honourable among the inhabitants. Consequently, he is often assigned the dangerous and exotic missions.
René Goscinny...
About Paul Meijering
For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...
David Neace
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