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by Paul Meijering
$36.50
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David Bailly Vanitas Still Life Painting Galaxy case by Paul Meijering. Protect your Galaxy S8 with an impact-resistant, slim-profile, hard-shell case. The image is printed directly onto the case and wrapped around the edges for a beautiful presentation. Simply snap the case onto your Galaxy S8 for instant protection and direct access to all of the phone's features!
Design Details
Realistic acrylic painting of the Dutch painter David Bailly, painted by the Dutch fine artist Paul Meijering - the original painting is 120 x 90 cm... more
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Protect your Galaxy S8 with an impact-resistant, slim-profile, hard-shell case. The image is printed directly onto the case and wrapped around the edges for a beautiful presentation. Simply snap the case onto your Galaxy S8 for instant protection and direct access to all of the phone's features!
Realistic acrylic painting of the Dutch painter David Bailly, painted by the Dutch fine artist Paul Meijering - the original painting is 120 x 90 cm and part of a permanent collection.
David Bailly (Leiden, 1584 - buried there October 1657) was a Dutch painter.
The son of a Flemish immigrant Peter Bailly, Bailly was a pupil of Cornelis van der Voort, of the copper engraver Jacob de Gheyn and probably also of his father.
Between 1608 and 1613, he made study trips to Germany (Hamburg) and Italy (Venice and Rome). On his return to Holland, Bailly worked for several German princes. After returning to Leiden, Bailly started painting history pieces, still lifes and portraits, often in a combination with vanitas still lifes. He also produced his first self-portraits and portraits of his students and professors at Leiden University. He often added a portrait of himself to his paintings, a habit that anticipated Rembrandt, who later did the same. Bailly even did it on a mil...
For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...
$36.50
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