

Frame
Top Mat

Bottom Mat

Dimensions
Image:
10.00" x 7.50"
Mat Border:
2.00"
Frame Width:
0.88"
Overall:
15.50" x 13.00"
Ford Mustang 1967 Mixed Media Framed Print

by Paul Meijering

$103.00
Product Details
Ford Mustang 1967 Mixed Media framed print by Paul Meijering. Bring your print to life with hundreds of different frame and mat combinations. Our framed prints are assembled, packaged, and shipped by our expert framing staff and delivered "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.
Design Details
Realistic acrylic painting of the Ford Mustang 1967, painted by the Dutch fine artist Paul Meijering - digitally edited
The Ford Mustang is an... more
Ships Within
3 - 4 business days
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Artist's Description
Realistic acrylic painting of the Ford Mustang 1967, painted by the Dutch fine artist Paul Meijering - digitally edited
The Ford Mustang is an American automobile manufactured by Ford. It was originally based on the platform of the second generation North American Ford Falcon, a compact car. The original 1962 Ford Mustang I two-seater concept car had evolved into the 1963 Mustang II four-seater concept car which Ford used to pretest how the public would take interest in the first production Mustang.
The Mustang created the "pony car" class of American automobiles, affordable sporty coupes with long hoods and short rear decks and gave rise to competitors such as the Chevrolet Camaro, Pontiac Firebird, AMC Javelin, Chrysler's revamped Plymouth Barracuda, and the first generation Dodge Challenger. The Mustang is also credited for inspiring the designs of coupes such as the Toyota Celica and Ford Capri, which were imported to the United States.
Lee Iacocca's assistant...
About Paul Meijering

For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...
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