Voisin C20 Mylord Demi-Berline 1931 Painting Wood Print

Vintage Wood Prints

Landscape Wood Prints

Car Wood Prints

Red Wood Prints

wood prints vintage wood prints landscape wood prints car wood prints red wood prints automobile wood prints classic car wood prints art deco wood prints automotive wood prints auto wood prints france wood prints coach wood prints vehicle wood prints luxury car wood prints antique car wood prints old time wood prints

paintings vintage paintings landscape paintings car paintings red paintings automobile paintings classic car paintings art deco paintings automotive paintings auto paintings france paintings coach paintings vehicle paintings luxury car paintings antique car paintings old time paintings

Add This Artwork to Your Favorites Collection

Comment

Add This Artwork to Your Favorites Collection

Comment

Realistic acrylic painting of the Voisin C20 Mylord Demi-Berline build in 1931, painted by the Dutch fine artist Paul Meijering - the Original painting is 120 x 90 cm and for sale

Avions Voisin was a French luxury automobile brand established by Gabriel Voisin in 1919 which traded until 1939.

Gabriel B. Voisin was an aviation pioneer and manufacturer who in 1919 started producing cars using Knight-type sleeve valve engines at Issy-les-Moulineaux, an industrial suburb to the southwest of Paris. Former student of the Fine Arts School of Lyon and enthusiast for all things mechanical since his childhood, Voisin's uncompromisingly individual designs made extensive use of light alloys, especially aluminum. One of the company's most striking early designs was the Laboratoire Grand Prix car of 1923; one of the first cars ever to use monocoque chassis construction, and utilising small radiator-mounted propeller to drive the cooling pump. The characteristic Voisin style of 'rationa...

For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...