Stutz DV32 1933 Painting Wood Print

wood prints vintage wood prints transportation wood prints indianapolis wood prints curtain wood prints stutz wood prints oldtimer wood prints vehicle wood prints automobile wood prints american car wood prints pony car wood prints general motors wood prints ancient wood prints luxury car wood prints ford model a wood prints auto wood prints

paintings vintage paintings transportation paintings indianapolis paintings curtain paintings stutz paintings oldtimer paintings vehicle paintings automobile paintings american car paintings pony car paintings general motors paintings ancient paintings luxury car paintings ford model a paintings auto paintings

Add This Artwork to Your Favorites Collection

Comment

Add This Artwork to Your Favorites Collection

Comment

Realistic acrylic painting of the Stutz DV32, painted by the Dutch fine artist Paul Meijering - the Original painting is 90 x 120 cm and for sale.

The Stutz Motor Company was an American producer of luxury cars based in Indianapolis, Indiana, USA. Production began in 1911 and continued until 1935. The brand reappeared in 1968 under the aegis of Stutz Motor Car of America, Inc., and with a newly defined modern retro-look. Although the company is still active today, actual sales of factory produced vehicles ceased in 1995. Throughout its history, Stutz was known as a producer of fast cars (America's first sports car) and luxury cars for the rich and famous.

The company was founded as the Ideal Motor Car Company in Indianapolis in 1911. Ideal entered a car in the Indianapolis 500 that year and placed 11th, earning it the slogan, "the car that made good in a day". The next year, the founder, Harry C. Stutz, renamed the company Stutz Motor Company and began selling high-perfor...

For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...